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	<title>Ellina Gennadievna</title>
	<link>https://ellinagennadievna.com</link>
	<description>Ellina Gennadievna</description>
	<pubDate>Sun, 27 Aug 2023 17:04:47 +0000</pubDate>
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		<title>HOME</title>
				
		<link>https://ellinagennadievna.com/HOME</link>

		<pubDate>Thu, 21 Jan 2021 14:55:50 +0000</pubDate>

		<dc:creator>Ellina Gennadievna</dc:creator>

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		<title>other</title>
				
		<link>https://ellinagennadievna.com/other</link>

		<pubDate>Sun, 27 Aug 2023 17:04:47 +0000</pubDate>

		<dc:creator>Ellina Gennadievna</dc:creator>

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&#60;img width="186" height="188" width_o="186" height_o="188" data-src="https://freight.cargo.site/t/original/i/45698342ab1b3248b8b4d41513d58a56d98da6590a7171345cc3050f62e7287f/16119317791335509-13.gif" data-mid="189014800" border="0" alt="Transform" data-caption="Transform" src="https://freight.cargo.site/w/186/i/45698342ab1b3248b8b4d41513d58a56d98da6590a7171345cc3050f62e7287f/16119317791335509-13.gif" /&#62;
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		<title>stability</title>
				
		<link>https://ellinagennadievna.com/stability</link>

		<pubDate>Thu, 21 Jan 2021 14:55:51 +0000</pubDate>

		<dc:creator>Ellina Gennadievna</dc:creator>

		<guid isPermaLink="true">https://ellinagennadievna.com/stability</guid>

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	RU

STABILITY






	
	The project refers to the concept of post-truth via a never-ending substitution of one order with another. This obvious substitution represents the parasite manipulating the hole system. On the other site this parasite is the mechanism itself. A legitimation of lies takes place. Predictable result destroys fortuity.




	
	






	
	
	
	






	
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	10*10*10 cm acrylic, arduino nano

2017
	
</description>
		
	</item>
		
		
	<item>
		<title>ru/stability</title>
				
		<link>https://ellinagennadievna.com/ru-stability</link>

		<pubDate>Wed, 27 Jan 2021 19:36:32 +0000</pubDate>

		<dc:creator>Ellina Gennadievna</dc:creator>

		<guid isPermaLink="true">https://ellinagennadievna.com/ru-stability</guid>

		<description>
	EN

CТАБИЛЬНОСТЬ






	
	Проект отсылает к&#38;nbsp;понятию&#38;nbsp;пост-правды&#38;nbsp;через&#38;nbsp;непрекращающуюся&#38;nbsp;подмену&#38;nbsp;одного&#38;nbsp;порядка&#38;nbsp;другим.&#38;nbsp;Это&#38;nbsp;очевидная&#38;nbsp;подмена&#38;nbsp;создает&#38;nbsp;ощущение&#38;nbsp;паразита,&#38;nbsp;манипулирующего&#38;nbsp;всей&#38;nbsp;системой.&#38;nbsp;С&#38;nbsp;другой&#38;nbsp;стороны,&#38;nbsp;этот&#38;nbsp;паразит&#38;nbsp;и&#38;nbsp;есть&#38;nbsp;сам&#38;nbsp;механизм.&#38;nbsp;Происходит&#38;nbsp;легитимизация&#38;nbsp;лжи.&#38;nbsp;Предсказуемость&#38;nbsp;убивает&#38;nbsp;элемент&#38;nbsp;случайности.




	
	








	
	
	
	






	
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&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/70b2a361b3341e4aa842c664cb157fcc7075d04d97e35eb5d329aa51f777cd98/244255482_1694324577404800_8193750705495738325_n.jpg" data-mid="150421046" border="0"  src="https://freight.cargo.site/w/1000/i/70b2a361b3341e4aa842c664cb157fcc7075d04d97e35eb5d329aa51f777cd98/244255482_1694324577404800_8193750705495738325_n.jpg" /&#62;


	
	10*10*10 cm акрил, arduino nano

2017
	
</description>
		
	</item>
		
		
	<item>
		<title>stalk</title>
				
		<link>https://ellinagennadievna.com/stalk</link>

		<pubDate>Fri, 22 Jan 2021 23:54:53 +0000</pubDate>

		<dc:creator>Ellina Gennadievna</dc:creator>

		<guid isPermaLink="true">https://ellinagennadievna.com/stalk</guid>

		<description>

	RU


STALK


HTC VIVE, Unity3d, photogrammetry


Kazan

2018

	
	It is believed that over the past 300 years, people have become more liberal and democratic, but this is not quite the case. The emergence of liberal democracies is tied to the ideals of freedom and equality, which may seem
obvious and irreversible. But these ideals are much more fragile than we think. Their success in the 20th century depended on the unique technological conditions that may turn out to be ephemeral. In the second decade of the 21st century, liberalism began to lose confidence. Debates about the ability of a liberal democracy to provide the middle class have become louder and louder; politics has become more clan-based; and in more and more countries, leaders are prone to demagogy and autocracy. The reasons for this political shift are complex, but they seem to be intertwined with modern technological developments. Power, as the asymmetry of knowledge, is disciplinary. It is an institute for the normalization of the society. The body of an obedient student, an obedient soldier, an obedient prisoner, or, for example, a clerk 

arises. Addressing the issue of security tends to encourage the spread of power, the state. The generation of fear
breeds new discipline.
	




	&#60;img width="595" height="906" width_o="595" height_o="906" data-src="https://freight.cargo.site/t/original/i/890b86ed6e8e212ccb0da271e43f7c8da00cafa04e1ef8163bfdecc3cc892eb5/cx.png" data-mid="97167877" border="0" data-scale="44" src="https://freight.cargo.site/w/595/i/890b86ed6e8e212ccb0da271e43f7c8da00cafa04e1ef8163bfdecc3cc892eb5/cx.png" /&#62;
	&#60;img width="595" height="906" width_o="595" height_o="906" data-src="https://freight.cargo.site/t/original/i/890b86ed6e8e212ccb0da271e43f7c8da00cafa04e1ef8163bfdecc3cc892eb5/cx.png" data-mid="97167877" border="0" data-scale="44" src="https://freight.cargo.site/w/595/i/890b86ed6e8e212ccb0da271e43f7c8da00cafa04e1ef8163bfdecc3cc892eb5/cx.png" /&#62;
	&#60;img width="595" height="906" width_o="595" height_o="906" data-src="https://freight.cargo.site/t/original/i/890b86ed6e8e212ccb0da271e43f7c8da00cafa04e1ef8163bfdecc3cc892eb5/cx.png" data-mid="97167877" border="0" data-scale="44" src="https://freight.cargo.site/w/595/i/890b86ed6e8e212ccb0da271e43f7c8da00cafa04e1ef8163bfdecc3cc892eb5/cx.png" /&#62;







	


	



The link between panopticon and the modern society was made by Michel Foucault, who saw in the panopticon
something more than an architectural plan. In his interpretation, the panopticon becomes a disciplinary
principle, going far beyond the framework of a round-shaped building. Anti-globalists, critics of Google and
social networks, see the triumph of Bentham’s plan in the “surveillance society” established by modern control
systems. First of all, this is manifested in surveillance cameras and systems collecting information about
users. In the modern society, it is difficult to grope the point of power, as it is distributed between large international
companies, special services, private forces. In my project, I would like to present the opportunity to approach this point.
 A voluntary test group has given me their GPS coordinates so it is possible to track the location of any participant 

any time. However, it is possible to look at this location only in the exhibition space in virtual reality. Walking around the city map in VR, you can track the location of the entire test group, as in reality it can be done by intelligence officers or large corporations using data from mobile phones. Thus, the viewer is invited to touch the modern ephemeral point of power in the virtual world. Do not be afraid to interact with it and overcome the phobia of global surveillance. For example, once researchers from Stanford University suggested that subjects live for a while in the body of a superhero. As a result of the experiment, it turned out that the volunteers in life became more helpful than before. The virtual human models were made based on real photographs of the participants' faces.




	



	
	

&#60;img width="1050" height="1050" width_o="1050" height_o="1050" data-src="https://freight.cargo.site/t/original/i/864dd9dec25fc4c4778df5be977b285b22c8fb3c9723a956a24489274ce8f69b/20181130195522_1.jpg" data-mid="96446746" border="0"  src="https://freight.cargo.site/w/1000/i/864dd9dec25fc4c4778df5be977b285b22c8fb3c9723a956a24489274ce8f69b/20181130195522_1.jpg" /&#62;
&#60;img width="719" height="487" width_o="719" height_o="487" data-src="https://freight.cargo.site/t/original/i/5a01fa2dc3666b65151721c5280478d617d9baef12815db18763778a6b26b66f/-2020-04-08-023220.png" data-mid="96446766" border="0"  src="https://freight.cargo.site/w/719/i/5a01fa2dc3666b65151721c5280478d617d9baef12815db18763778a6b26b66f/-2020-04-08-023220.png" /&#62;
&#60;img width="990" height="570" width_o="990" height_o="570" data-src="https://freight.cargo.site/t/original/i/db83c9539a295fa7bc159c7767ce921a97bca9827e025b9b4cafaccc07970e75/-2020-04-08-023501.png" data-mid="96446767" border="0"  src="https://freight.cargo.site/w/990/i/db83c9539a295fa7bc159c7767ce921a97bca9827e025b9b4cafaccc07970e75/-2020-04-08-023501.png" /&#62;
&#60;img width="2100" height="1500" width_o="2100" height_o="1500" data-src="https://freight.cargo.site/t/original/i/f0ff2294d77d4c06e6a9dc5c427fbf116fb545bdcde7ffbe3ad4c3ad13e4a8d9/--1.jpg" data-mid="96446749" border="0"  src="https://freight.cargo.site/w/1000/i/f0ff2294d77d4c06e6a9dc5c427fbf116fb545bdcde7ffbe3ad4c3ad13e4a8d9/--1.jpg" /&#62;
&#60;img width="1210" height="709" width_o="1210" height_o="709" data-src="https://freight.cargo.site/t/original/i/e2073131cb1339a97ed3e5078e7b53c7ad60da65335d59909da46e0db7ec11ed/--2021-01-27-013022.png" data-mid="96587428" border="0"  src="https://freight.cargo.site/w/1000/i/e2073131cb1339a97ed3e5078e7b53c7ad60da65335d59909da46e0db7ec11ed/--2021-01-27-013022.png" /&#62;
&#60;img width="1586" height="1168" width_o="1586" height_o="1168" data-src="https://freight.cargo.site/t/original/i/c86a27db179d6a0f6f561ece53e5eb706a133342ab35e828597904ed90fd32dd/Screenshot-2021-01-31-at-00.54.22.png" data-mid="97153123" border="0"  src="https://freight.cargo.site/w/1000/i/c86a27db179d6a0f6f561ece53e5eb706a133342ab35e828597904ed90fd32dd/Screenshot-2021-01-31-at-00.54.22.png" /&#62;
&#60;img width="1283" height="1881" width_o="1283" height_o="1881" data-src="https://freight.cargo.site/t/original/i/635599a999013e2dda8d4b794a029c8e0d1c4492fb3022ffef90a9105d91c8d1/dfg.png" data-mid="97167884" border="0"  src="https://freight.cargo.site/w/1000/i/635599a999013e2dda8d4b794a029c8e0d1c4492fb3022ffef90a9105d91c8d1/dfg.png" /&#62;
&#60;img width="1050" height="650" width_o="1050" height_o="650" data-src="https://freight.cargo.site/t/original/i/9474bd11716d3642d961a47a1bfde19a591ce87a1dba7be59278432bad406cf5/xl_2b7298e84bbecb07bd27b6e107df1149.jpg" data-mid="96446764" border="0"  src="https://freight.cargo.site/w/1000/i/9474bd11716d3642d961a47a1bfde19a591ce87a1dba7be59278432bad406cf5/xl_2b7298e84bbecb07bd27b6e107df1149.jpg" /&#62;
&#60;img width="940" height="627" width_o="940" height_o="627" data-src="https://freight.cargo.site/t/original/i/42cacc5d0f95eb2e3e17453aa3817ae099a60bec62d9b5f029eb33bcf886de88/fdd9116fa78bfa4a.jpg" data-mid="97171575" border="0"  src="https://freight.cargo.site/w/940/i/42cacc5d0f95eb2e3e17453aa3817ae099a60bec62d9b5f029eb33bcf886de88/fdd9116fa78bfa4a.jpg" /&#62;


	








	
	


	
 



	︎
	

We talked with Ellina Khalyapina, a student of the Rodchenko school, about who follows users on the global network, and how the Stalk project can help get rid of the paranoid phobia of the third superfluous in your dialogues.






	&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/9784a9a016f53d1aa6742834911b426b563740ad9ddb107849b014906f3dd318/12313.png" data-mid="96446742" border="0"  src="https://freight.cargo.site/w/1000/i/9784a9a016f53d1aa6742834911b426b563740ad9ddb107849b014906f3dd318/12313.png" /&#62;
	
	&#60;img width="1050" height="650" width_o="1050" height_o="650" data-src="https://freight.cargo.site/t/original/i/1c2e1b340dad952ce2aa339284ea8bcc5a87d364a9889ee9710773c0991838f5/xl_d385a22b708bc95fdeb15bd6a76ddb8b.jpg" data-mid="96446765" border="0"  src="https://freight.cargo.site/w/1000/i/1c2e1b340dad952ce2aa339284ea8bcc5a87d364a9889ee9710773c0991838f5/xl_d385a22b708bc95fdeb15bd6a76ddb8b.jpg" /&#62;



	

︎


	

Art connect: Digital Media, Tenderness and Aggression


</description>
		
	</item>
		
		
	<item>
		<title>ru/stalk</title>
				
		<link>https://ellinagennadievna.com/ru-stalk</link>

		<pubDate>Wed, 27 Jan 2021 19:57:40 +0000</pubDate>

		<dc:creator>Ellina Gennadievna</dc:creator>

		<guid isPermaLink="true">https://ellinagennadievna.com/ru-stalk</guid>

		<description>

	EN



STALK


HTC VIVE, Unity3d, фотограмметрия&#38;nbsp;

Казань

2018

	
	Существует мнение, что последние 300 лет люди становились более либеральным и демократическими, но это не совсем так. Появление либеральных демократий связано с идеалами свободы и равенства, которые могут казаться очевидными и необратимыми. Но эти идеалы гораздо более хрупкие, чем мы считаем. Их успех в XX веке зависел от уникальных технологических условий, которые могут оказаться эфемерными. Во втором десятилетии 21-го века либерализм начал терять доверие. Вопросы о способности либеральной демократии обеспечивать средний класс стали все громче; политика стала более клановой; и во все большем числе стран лидеры проявляют склонность к демагогии и самодержавию. Причины этого политического сдвига сложны, но они, похоже, переплетаются с современными технологическими разработками.Власть, как асимметрия знания, носит дисциплинарный характер. Она - институт по нормализации общества. Возникает тело послушного ученика, послушного солдата, послушного заключенного, или, например, клерка. Обращение к теме безопасности склонно поощрять распространение власти, государства. Порождение страхов порождает новую дисциплину.
	




	&#60;img width="595" height="906" width_o="595" height_o="906" data-src="https://freight.cargo.site/t/original/i/890b86ed6e8e212ccb0da271e43f7c8da00cafa04e1ef8163bfdecc3cc892eb5/cx.png" data-mid="97156291" border="0" data-scale="44" src="https://freight.cargo.site/w/595/i/890b86ed6e8e212ccb0da271e43f7c8da00cafa04e1ef8163bfdecc3cc892eb5/cx.png" /&#62;
	&#60;img width="595" height="906" width_o="595" height_o="906" data-src="https://freight.cargo.site/t/original/i/890b86ed6e8e212ccb0da271e43f7c8da00cafa04e1ef8163bfdecc3cc892eb5/cx.png" data-mid="97156291" border="0" data-scale="44" src="https://freight.cargo.site/w/595/i/890b86ed6e8e212ccb0da271e43f7c8da00cafa04e1ef8163bfdecc3cc892eb5/cx.png" /&#62;
	&#60;img width="595" height="906" width_o="595" height_o="906" data-src="https://freight.cargo.site/t/original/i/890b86ed6e8e212ccb0da271e43f7c8da00cafa04e1ef8163bfdecc3cc892eb5/cx.png" data-mid="97156291" border="0" data-scale="44" src="https://freight.cargo.site/w/595/i/890b86ed6e8e212ccb0da271e43f7c8da00cafa04e1ef8163bfdecc3cc892eb5/cx.png" /&#62;





	
	Власть, как асимметрия знания, носит дисциплинарный характер. Она - институт по нормализации общества. Возникает тело послушного ученика, послушного солдата, послушного заключенного, или, например, клерка. Обращение к теме безопасности склонно поощрять распространение власти, государства. Порождение страхов порождает новую дисциплину. Связь между паноптикумом и современным обществом провел Мишель Фуко, усмотревший в паноптикуме нечто большее, чем архитектурный план. В его интерпретации паноптикум становится дисциплинарным принципом, выходящим далеко за рамки круглого по форме здания. Антиглобалистам, критики Google и социальных сетей — усматривать триумф замысла Бентама в «обществе наблюдения», установившемуся благодаря современным системам контроля. В первую очередь, это проявляется в камерах наружного наблюдения и системах сбора информации о пользователях. В современном обществе трудно нащупать точку власти, она распределена между крупными международными компаниями, спец службами, частными силами. В своем проекте я хочу дать возможность приблизится к этой точке. Добровольная тестовая группа людей раздавали мне свои gps координаты, &#38;nbsp;для того чтобы в любой момент можно было отследить местоположение любого участника. Однако посмотреть на это местоположение можно только в экспозиционном пространстве в виртуальной реальности. Гуляя по карте города в vr можно проследить за расположением всей тестовой группы, как в действительности это могут сделать сотрудники спецслужб или крупные корпорации использующие данные с мобильного телефона. Таким образом зрителю предлагается прикоснуться в виртуальном мире к современной эфемерной точке власти. Не бояться с ней взаимодействовать и побороть фобию глобальной слежки. К примеру, однажды исследователи из Стэнфорда (Stanford University) предложили испытуемым пожить некоторое время в теле супергероя. По итогам эксперимента оказалось, что добровольцы и в жизни стали более услужливыми, чем ранее. Виртуальная модель человека была сделана на основе реальных фотографий лиц участников.
	


	

	

&#60;img width="1050" height="1050" width_o="1050" height_o="1050" data-src="https://freight.cargo.site/t/original/i/864dd9dec25fc4c4778df5be977b285b22c8fb3c9723a956a24489274ce8f69b/20181130195522_1.jpg" data-mid="96715516" border="0"  src="https://freight.cargo.site/w/1000/i/864dd9dec25fc4c4778df5be977b285b22c8fb3c9723a956a24489274ce8f69b/20181130195522_1.jpg" /&#62;
&#60;img width="719" height="487" width_o="719" height_o="487" data-src="https://freight.cargo.site/t/original/i/5a01fa2dc3666b65151721c5280478d617d9baef12815db18763778a6b26b66f/-2020-04-08-023220.png" data-mid="96715520" border="0"  src="https://freight.cargo.site/w/719/i/5a01fa2dc3666b65151721c5280478d617d9baef12815db18763778a6b26b66f/-2020-04-08-023220.png" /&#62;
&#60;img width="990" height="570" width_o="990" height_o="570" data-src="https://freight.cargo.site/t/original/i/db83c9539a295fa7bc159c7767ce921a97bca9827e025b9b4cafaccc07970e75/-2020-04-08-023501.png" data-mid="96715521" border="0"  src="https://freight.cargo.site/w/990/i/db83c9539a295fa7bc159c7767ce921a97bca9827e025b9b4cafaccc07970e75/-2020-04-08-023501.png" /&#62;
&#60;img width="2100" height="1500" width_o="2100" height_o="1500" data-src="https://freight.cargo.site/t/original/i/f0ff2294d77d4c06e6a9dc5c427fbf116fb545bdcde7ffbe3ad4c3ad13e4a8d9/--1.jpg" data-mid="96715517" border="0"  src="https://freight.cargo.site/w/1000/i/f0ff2294d77d4c06e6a9dc5c427fbf116fb545bdcde7ffbe3ad4c3ad13e4a8d9/--1.jpg" /&#62;
&#60;img width="1586" height="1168" width_o="1586" height_o="1168" data-src="https://freight.cargo.site/t/original/i/c86a27db179d6a0f6f561ece53e5eb706a133342ab35e828597904ed90fd32dd/Screenshot-2021-01-31-at-00.54.22.png" data-mid="97153172" border="0"  src="https://freight.cargo.site/w/1000/i/c86a27db179d6a0f6f561ece53e5eb706a133342ab35e828597904ed90fd32dd/Screenshot-2021-01-31-at-00.54.22.png" /&#62;
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&#60;img width="940" height="627" width_o="940" height_o="627" data-src="https://freight.cargo.site/t/original/i/42cacc5d0f95eb2e3e17453aa3817ae099a60bec62d9b5f029eb33bcf886de88/fdd9116fa78bfa4a.jpg" data-mid="97151137" border="0"  src="https://freight.cargo.site/w/940/i/42cacc5d0f95eb2e3e17453aa3817ae099a60bec62d9b5f029eb33bcf886de88/fdd9116fa78bfa4a.jpg" /&#62;


	



	︎
	

Поговорили с Эллиной Халяпиной — ученицей школы Родченко — о том, кто следит за пользователями в глобальной сети, и как проект «Сталк» может помочь избавиться от параноидальной фобии третьего лишнего в ваших диалогах.




	


	&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/9784a9a016f53d1aa6742834911b426b563740ad9ddb107849b014906f3dd318/12313.png" data-mid="96715515" border="0"  src="https://freight.cargo.site/w/1000/i/9784a9a016f53d1aa6742834911b426b563740ad9ddb107849b014906f3dd318/12313.png" /&#62;
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︎


	

Art connect: Digital Media, Tenderness and Aggression



</description>
		
	</item>
		
		
	<item>
		<title>ZONE</title>
				
		<link>https://ellinagennadievna.com/ZONE</link>

		<pubDate>Fri, 22 Jan 2021 23:54:53 +0000</pubDate>

		<dc:creator>Ellina Gennadievna</dc:creator>

		<guid isPermaLink="true">https://ellinagennadievna.com/ZONE</guid>

		<description>
	RU



	&#60;img width="1385" height="1284" width_o="1385" height_o="1284" data-src="https://freight.cargo.site/t/original/i/d261b406abf0625faafcc0a5fdc894f9e9402792352ad0875cf382771a483e34/___3.png" data-mid="97221776" border="0" data-scale="82" src="https://freight.cargo.site/w/1000/i/d261b406abf0625faafcc0a5fdc894f9e9402792352ad0875cf382771a483e34/___3.png" /&#62;





	



ZONE




	

Today, the freedom of man, as a subject of entertainment, is the freedom of choice, but not the freedom to change the conditions of this choice. People who are in detention turn out to be disconnected from the collective patterns of the imaginary. The power emanating from the nature of things is transformed by the nature of digital things, dominated by the logic of algorithms. “Zone” is a game of voluntary 

confinement. This is the
emancipation of the imperious regime of imprisonment by digital means in order to open a space in which you can not enjoy. The free space of the room is indicated by the chaperone boundaries of virtual reality. The game is possible only within this space. The game score is the time spent in this zone wearing virtual reality glasses. The position of the glasses is controlled by sensors. When you take your glasses off, the game ends. When you cross the borders of this free space, the game ends. The player simultaneously becomes a prisoner of virtual boundaries of the free space of his own room and virtual communication.




	
	


	


	
	
The installation is an offline visiting room. Visitors to the exhibition can meet the player by entering the room and putting on glasses. The virtual space was created inside the VRChat social platform. Users of this platform can also be visitors. Turning on and off the lights is&#38;nbsp; strictly controlled 

 in the virtual world, helping to maintain the daily routine. The player's avatar is made based on their photogrammetry. Following the author, 4 more people have tested their strength. During the game, the virtual space and the space of the player's real room can be monitored online on the Twitch channel https://www.twitch.tv/zonevr.



	
	&#60;img width="2480" height="1984" width_o="2480" height_o="1984" data-src="https://freight.cargo.site/t/original/i/3aac4c0b6bed1bf6a54022faee4145c5f22865357faaa1f7f3c5f1b45a157036/6-3.jpg" data-mid="96437748" border="0" data-scale="79" src="https://freight.cargo.site/w/1000/i/3aac4c0b6bed1bf6a54022faee4145c5f22865357faaa1f7f3c5f1b45a157036/6-3.jpg" /&#62;
	



REVIEWS︎



 &#60;img width="288" height="520" width_o="288" height_o="520" data-src="https://freight.cargo.site/t/original/i/1105d9f93073d72840cd61da669a7cd6437dbcafabca21008abaf2d18cc9dacb/12.png" data-mid="97222727" border="0" data-scale="32" src="https://freight.cargo.site/w/288/i/1105d9f93073d72840cd61da669a7cd6437dbcafabca21008abaf2d18cc9dacb/12.png" /&#62;
&#38;nbsp;
	
    
&#38;nbsp;&#60;img width="288" height="495" width_o="288" height_o="495" data-src="https://freight.cargo.site/t/original/i/8a89fc2471c58275bd1670aaa2cc21cdc1635a9c4eacbf017bd138ce210b0b68/13.png" data-mid="97222909" border="0" data-scale="32" src="https://freight.cargo.site/w/288/i/8a89fc2471c58275bd1670aaa2cc21cdc1635a9c4eacbf017bd138ce210b0b68/13.png" /&#62;
	
 &#60;img width="288" height="520" width_o="288" height_o="520" data-src="https://freight.cargo.site/t/original/i/7a047bc9b59eca91e18b98acbee0da2b8ea2c4b10ff32710bd89b9482c27a085/11.png" data-mid="97222669" border="0" data-scale="32" src="https://freight.cargo.site/w/288/i/7a047bc9b59eca91e18b98acbee0da2b8ea2c4b10ff32710bd89b9482c27a085/11.png" /&#62;
 
&#38;nbsp;


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</description>
		
	</item>
		
		
	<item>
		<title>ru/ZONE</title>
				
		<link>https://ellinagennadievna.com/ru-ZONE</link>

		<pubDate>Wed, 27 Jan 2021 20:48:12 +0000</pubDate>

		<dc:creator>Ellina Gennadievna</dc:creator>

		<guid isPermaLink="true">https://ellinagennadievna.com/ru-ZONE</guid>

		<description>
	EN



	&#60;img width="1385" height="1284" width_o="1385" height_o="1284" data-src="https://freight.cargo.site/t/original/i/850e3630e9b1ad4b47ea14745198670ed6be05b166d2fab8fc5d672884a81173/___3.png" data-mid="97221967" border="0" data-scale="83" src="https://freight.cargo.site/w/1000/i/850e3630e9b1ad4b47ea14745198670ed6be05b166d2fab8fc5d672884a81173/___3.png" /&#62;

	



ЗОНА




	

Сегодня свобода человека, как субъекта развлечений, это свобода выбора, а не свобода изменения условий выбора. Люди, находящиеся в условиях заключения,
оказываются отключенными от паттернов коллективного воображаемого.

Власть, исходящая от природы вещей, преобразуется природой цифровых вещей, где господствует логика алгоритмов. «Зона» - это игра добровольного
заключения. Это эмансипация властного режима заключения цифровыми
средствами в целях открытия пространства в котором можно не наслаждаться.

Свободное пространство комнаты очерчивается сопроводительными границами
виртуальной реальности. Игра возможна только в этом пространстве. Счет игры — время, проведенное в этой зоне в очках виртуальной реальности. Положение очков контролируются датчиками. При снятии очков игра заканчивается. При выходе за границы игра заканчивается. Игрок одновременно становится
узником виртуальных границ свободного пространства собственной комнаты и виртуальной коммуникации.



	
	

	


	
	
Инсталляция представляет из себя&#38;nbsp; комнату для посещений. Посетители выставки могут встретиться с игроком&#38;nbsp; (автором проекта), зайдя в комнату
и надев на себя очки. Виртуальное
пространство создано внутри социальной платформы VRChat. Посетителями
могут стать также пользователи этой платформы. Строгое выключения и
включение света в виртуальном мире&#38;nbsp; способствует поддержанию распорядка
дня. Аватар игрока делается на основе его фотограмметрии. После автора
испытывали свои силы еще 4 человека. Во время игры виртуальное пространство и пространство реальной комнаты игрока можно смотреть онлайн на Twitch канале &#38;nbsp;https://www.twitch.tv/zonevr.



	
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РЕЦЕНЗИИ︎
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	</item>
		
		
	<item>
		<title>review_zone</title>
				
		<link>https://ellinagennadievna.com/review_zone</link>

		<pubDate>Fri, 22 Jan 2021 23:51:26 +0000</pubDate>

		<dc:creator>Ellina Gennadievna</dc:creator>

		<guid isPermaLink="true">https://ellinagennadievna.com/review_zone</guid>

		<description>
	RU


	
	

ZONE︎





	Gleb Napreenko

	Virtual reality is sometimes called "augmented" or "augmented"; in the work of Ellina Khalyapina, this expansion or addition is frankly associated with a narrowing and

reduction: both for the artist herself, who subjected herself to the asceticism of voluntary imprisonment in her own room alone with access to the "game", and for the spectators - accomplices, when trying to join the game who find themselves in an extremely poor virtual world, where there is nothing in a uniformly white space, except for Ellina's avatar. In the center of the idea of this work, according to Ellina herself, is the question of how the multitude of choices can be organized. Any game replaces some conditions of choice with others; in Ellina's work this replacement is radical in its own way. However, what both Ellina and the viewer face is not just zero choice, not a sheer lack of options, but such a simplification, in which the player's dependence on the other is at the center. For the viewer, there is a choice between doing nothing, remaining alone with the white emptiness, or dealing with Ellina; for Ellina, the situation is even worse - she can deal with something other than her own loneliness, only when some spectator deigns to visit her. It is the avatar of Hellenic who is the narcissistic core, not only located in the center of the game space, but also common for him and for everyday reality outside of it, where we are all also endowed with the image of our own body as a representative of our "I". It is the narcissistic image of one's own body that underlies the existentialist notions of autonomy, on the one hand, as the embodiment of human freedom, on the other, as the quintessence of its absence, about a portable solitary prison cell to which everyone is doomed. The accumulation of points that Ellina is busy with in her project can also be read as the erection of a monument to narcissism: this is a pure quantitative measure of her feat, which cannot be exchanged for anything. At the same time, real bodies are deprived of the possibility of meeting in the project. The only hope remains the speech - with Ellina in the game you can

try to talk.





	



Sara Culmann

	

The minimalism of Ellina Khalyapina's work “Zone” refers to the functionality of the prototype - a working template that is not extended by a particular case of design. The singularity of the confinement cell works in favor of this statement. Obviously, a prison implies an array of such singular examples, where each is based on a zero conceptual model. Project "Zone" is not a game about personal experience, despite the first person game mode (from the first person), it is just an "example to others" packed in compiled code. Considering the project as a ready-made, self-copying game asset, one can imagine the individual development paths of each player, the variability of which imitates the freedom of choice. This form of the project gives rise to political fantasies - as you know, the state retains a monopoly on violence under various regimes, but the state monopoly in the penitentiary system is a discursive issue. Imagine an order to develop a prison, more indulgent, more fashionable, developed according to the laws of technical evolution - this is a typical move of the neo-liberal system called “harm reduction”. The concept of legitimate punishment has gone from bodily exhaustion of prisoners of stone sacks to the procedure of suppressing brain neurons in a virtual reality machine. Transformed from obvious old-fashioned brutality to methodical and rational suppression, punishment, like any commodity, can be transferred from one asset to another, bought out or sold. The project constructs benevolent coercion created on the drivers of entertainment technologies and, if analyzed, looks like a potential outsourcing development of mutually beneficial friendship between politicians and capital. Perhaps this idea is prompted by the infiltration of repressive elements into civil society simulators, such as VRChat, on the platform of which the project is made, and this is a reason to think whether games in digital democracy are a new agora or a testing ground for regime institutions.




	

Josephine de Fijter


	

I am mesmerized by the idea of transferring the focus from physical limitation to new and imaginary spaces.
More details on the link below:

We very happy to see over 500 artists participating in our open call ‘Alone, Together,’ hosted with Studio Uncoated. On top of the three winners, Curator Josephine de Fijter selected a a few honorable mentions. See them all below.




</description>
		
	</item>
		
		
	<item>
		<title>ru/review_zone</title>
				
		<link>https://ellinagennadievna.com/ru-review_zone</link>

		<pubDate>Sat, 30 Jan 2021 01:01:32 +0000</pubDate>

		<dc:creator>Ellina Gennadievna</dc:creator>

		<guid isPermaLink="true">https://ellinagennadievna.com/ru-review_zone</guid>

		<description>

	EN



	
	

ЗОНА
︎






	
Глеб Напреенко
	

Виртуальную реальность иногда называют "расширенной" или "дополненной"; в работе Эллины Халяпиной это расширение или дополнение откровенно сопряжено с сужением и редукцией: и для самой художницы, подвергшей себя аскезе добровольного заточения в собственной комнате наедине с выходом в "игру", и для зрителей - соучастников, при попытке присоединиться к игре обнаруживающих себя в предельно бедном виртуальном мире, где в равномерно белом пространстве нет ничего, кроме аватара Эллиины. В центре замысла этой работы, по словам самой Эллины, -- вопрос о том, как может быть организовано множество вариантов выбора. Любая игра заменяет одни условия выбора другими; в работе Эллины эта замена по-своему радикальна. Однако то, с чем сталкивается и Эллина, и зритель -- это не просто ноль выбора, не чистое отсутствие вариантов, но такое упрощение, в котором в центре оказывается зависимость игрока отдругого. Для зрителя есть выбор между ничего не делать, оставаясь наедине с белой пустотой, или же иметь дело с Эллиной; для Эллины дело обстоит ещё хуже -- она может иметь дело с чем-то, кроме собственного одиночества, лишь когда какой-то зритель соизволит её посетить. Именно аватар Эллины -- нарциссическое ядро, не только находящееся в центре игрового пространства, но и общее для него и для обыденной реальности за его пределами, где мы все также наделены образом собственного тела как представителем нашего "я". Именно нарциссический образ собственного тела лежит в основе эксистенциалистских представлений об автономии, с одной стороны, как о воплощении человеческой свободы, с другой, как о квинтессенции ее отсутствия, о переносной одиночной тюремной камере, на которую обречен каждый. Накопление баллов, которым занята в своем проекте Эллина, можно также прочитать как воздвижение монумента нарциссизму: это чистая количественная мера её подвига, которую ни на что нельзя обменять. При этом реальные тела возможности встречи в проекте лишены. Единственной надеждой остаётся речь -- с Эллиной в игре можно попытаться поговорить.







	



Сара Кульманн
	



Минимализм работы Эллины Халяпиной “Зона” отсылает к функциональности прототипа - работающего шаблона, который не расширен частным случаем дизайна. В пользу такого утверждения работает единичность камеры заключения. Очевидно, что тюрьма подразумевает массив, состоящий из таких единичных примеров, где в основе каждого лежит нулевая концептуальная модель. Проект “Зона” - это не игра про личный опыт, несмотря на режим first person game (от первого лица), это всего лишь “пример другим”, упакованный в скомпилированный код. Рассматривая проект как готовый, самокопирующийся гейм-ассет, можно представить себе индивидуальные пути развития каждого игрока, вариативность которых имитирует свободу выбора. Такая форма проекта дает ход политическим фантазиям - как известно, государство оставляет себе монополию на насилие при различных режимах, но государственная монополия в пенитенциарной системе представляет собой дискурсивный вопрос. Представить себе заказ на разработку тюрьмы, более снисходительной, более модной, развитой по законам технической эволюции - вот типичный ход нео-либеральной системы под названием “harm reduction” (снижение вреда). Понятие легитимного наказания прошло путь от телесного истощения узников каменных мешков до процедуры угнетения нейронов головного мозга в машине виртуальной реальности. Превратившись из очевидной старомодной жестокости в методичное и рациональное подавление, наказание, как любой товар, может быть переведено из одного актива в другой, выкуплено или продано. Проект конструирует благожелательное принуждение, созданное на драйверах развлекательных технологий и, если, проанализировать, выглядит как потенциальная аутсорс разработка взаимовыгодной дружбы политиков и капитала. Возможно на эту мысль наталкивает просачивание репрессивных элементов в симуляторы гражданского общества, такие как VRChat, на платформе которого сделан проект и это повод подумать являются ли игры в цифровые демократии новой агорой или полигоном для режимных институтов.







	

Жозефина де Фийтер


	

Меня завораживает идея перенести фокус с физических ограничений на новые и воображаемые пространства.Подробнее по ссылке:
Мы очень рады видеть более 500 художников, участвующих в нашем открытом конкурсе «Один, вместе», организованном Studio Uncoated. Помимо трех победителей, куратор Жозефина де Фихтер выбрала несколько почетных наград. Смотрите их все ниже.






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